There’s lots to explore on my website. Click along the menu under the picture. You can listen to selected recordings via links to the record companies, or you can browse through programme ideas under Performances & Projects and under Presentations. You can follow BBC links to some of my broadcast work on radio and television, including Building a Library and Chord of the Week. My work on early pianos can be found under Devices & Desires, and some of my own music can be heard under Compositions. (Menu items with a drop-down list also have content on the header, by the way.)

My monthly column in the BBC Music Magazine will give you an idea of the breadth of my musical world. If you’re a promoter looking for something different, please get in touch.

This month I’m preparing my Notes from the Piano Stool programme in French for my trip to Montreal in May. And I’m leafing through scores looking for this summer’s Chords of the Week.

Chandos released the new double CD of Sullivan songs on March 3rd. You can see the review from Gramophone at the foot of this page. I accompany Mary Bevan, Ben Johnson & Ashley Riches in a selection of Sullivan’s songs, including rarities like ‘I wish to tune my quiv’ring lyre’ (Byron), ‘Sweet Day’ (George Herbert) and the Tennyson song-cycle ‘The Window’. The song-cycle was a collaboration put together by Sir George Grove, between Tennyson, Sullivan & Sir John Everett Millais, who eventually withdrew from the project. The cover of the CD is a Millais picture only now noticed to be connected with it – an iconographical breakthrough causing much rejoicing in Yale, where it lives. You can see it here. It sums up the whole story of the cycle in one brilliant image.

Mary, Ben, Ashley & I will launch the recording in a short Rhinegold Live concert at Conway Hall, 25 Red Lion Square, London WC1R 4RL. 7pm, Tuesday April 25th.

Caroline Balding (violin), Katy Bircher (flute), Andrew Skidmore (cello) and I (on my 1828 Broadwood) have just recorded the demo for the Jupiter Project: Mozart’s C major Concerto K.467 arranged by Cramer, and his Jupiter Symphony arranged by Clementi. The project as a whole will incorporate concerts, workshops, CD recordings and video, relating to the remarkable body of mid-nineteenth-century chamber-music arrangements, not just of Mozart, but of most of the core orchestral repertory. Like the Sullivan recordings, the Jupiter Project comes under the umbrella of Devices & Desires: more news as it develops.

Here’s the Sullivan review.

Caroline and I thank you for your visit!


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